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Madras High Court Dismisses Netflix India's Application in Dhanush's Copyright Infringement Suit

Madras High Court Dismisses Netflix India's Application in Dhanush's Copyright Infringement Suit
Background of the Dispute

In November 2024, actor and producer Dhanush's company, Wunderbar Films, initiated legal proceedings against actress Nayanthara, director Vignesh Sivan, their production house Rowdy Pictures Private Limited, and Los Gatos Production Services India LLP (Netflix India). The contention arose from the alleged unauthorized use of behind-the-scenes footage from the 2015 film "Naanum Rowdy Dhaan" in the Netflix documentary "Nayanthara: Beyond the Fairytale." Wunderbar Films, which produced "Naanum Rowdy Dhaan," claimed exclusive rights over all content related to the film and asserted that the defendants had infringed upon their copyright by including the footage without prior permission.

Netflix India's Application to Reject the Suit

In response to the lawsuit, Netflix India filed applications seeking to reject the plaint and revoke the leave to sue granted to Wunderbar Films. Their primary argument centered on jurisdictional issues, noting that Netflix India's office is located in Mumbai, outside the territorial jurisdiction of the Madras High Court. They contended that, according to the provisions of the Copyright Act and the Letters Patent Act, leave to sue should have been obtained against all defendants, not just Netflix India. Additionally, Netflix India highlighted that a photograph from the movie set had been publicly available since 2020, and Wunderbar Films had not raised any objections at that time. They argued that the suit was filed a week after the documentary's release, indicating a lack of urgency and non-compliance with Section 12A of the Commercial Courts Act, which mandates pre-suit mediation.

Wunderbar Films' Counterarguments

Representing Wunderbar Films, Senior Advocate P.S. Raman contended that all content from the movie set, including behind-the-scenes footage, is the intellectual property of the producer, in this case, Wunderbar Films. He emphasized that the cause of action for the lawsuit arose only upon the unauthorized usage of the footage in the documentary. Raman argued that the prior publication of a photograph in 2020 did not constitute a cause of action, as the alleged infringement occurred with the release of the documentary. He also addressed the issue of pre-suit mediation, asserting that the urgency of the matter justified bypassing Section 12A of the Commercial Courts Act.

Court's Decision

On January 28, 2025, Justice Abdul Quddhose of the Madras High Court dismissed Netflix India's applications to reject the plaint and revoke the leave to sue. The court found merit in Wunderbar Films' arguments regarding the cause of action and the ownership of the behind-the-scenes footage. Justice Quddhose scheduled a hearing for the interim injunction application filed by Wunderbar Films on February 5, 2025, indicating the court's recognition of the need for a timely resolution to the dispute.

Implications of the Ruling

This ruling underscores the judiciary's acknowledgment of the complexities involved in intellectual property rights within the entertainment industry. The court's decision to dismiss Netflix India's applications highlights the importance of addressing alleged copyright infringements, even when jurisdictional challenges are presented. The case also brings to the forefront the necessity for clear agreements and permissions regarding the use of film-related content, especially when such content is repurposed for new productions.

Conclusion

The Madras High Court's dismissal of Netflix India's applications marks a significant development in the ongoing legal battle over the alleged unauthorized use of film footage. As the case progresses, it is poised to set important precedents concerning copyright infringement and the rights of producers over behind-the-scenes content. The upcoming hearing on the interim injunction will be a critical juncture in determining the immediate future of the disputed documentary content.

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